Kirkos is the kind of band that makes you want to throw out the rulebook on genres. Based in St. Louis, this trio has been carving out their own weird, wonderful corner of the music world for years, blending post-jam, cinematic prog, dystopian sludge jazz, and industrial fusion into something that is signature. Late Night at the Nick, recorded live at The Nick on November 15, 2024, captures the band at their most raw and unfiltered. It’s a wild, sprawling ride that shows just how far they’re willing to push their sound.
The album is just over an hour long, with five tracks that feel less like songs and more like sonic expeditions. Each one takes you somewhere different—sometimes dark and brooding, sometimes playful and chaotic, but always fascinating. If you’re into bands that don’t just play music but create entire worlds with it, this is for you.
The album kicks off with “Wabaki”, an 18-minute monster that sets the tone for everything that follows. It starts slow and moody, like the soundtrack to a film about the end of the world, before building into this explosive, frenetic jam. The keyboards, courtesy of Jacob Brooks, soar, the bass, played by Jordan Allen rumbles, and the drums, hit masterfully by Myles Jaffe, are just relentless. What’s amazing is how the band can shift from these quiet, introspective moments to full-blown chaos without missing a beat. It’s a lot to take in, but it’s worth every second.
Next up is “Bubble Guts”, which feels like a breath of fresh air after the intensity of “Wabaki.” At just over seven minutes, it’s the shortest track on the album, but it packs a punch. The bassline is infectious, the electric piano dances between melody and noise, and the whole thing has this mischievous energy that makes you want to move. It’s like the band is saying, “Okay, we just took you on a journey—now let’s have some fun.”
“Processes” takes things in a more atmospheric direction. The electric piano and synthesizer shimmer, the rhythm section keeps things steady, and the whole track feels like it’s building toward something huge. When it finally hits, it’s like a wave crashing over you. There’s something cinematic about this one—it’s easy to close your eyes and get lost in the sound.
Then there’s “Mr. Korrigan”, arguably the album’s most experimental piece. At nearly 13 minutes, it’s a masterclass in tension and release. The track keeps building. By the time it reaches its thunderous climax, you’re completely hooked. Kirkos create intensity while keeping their feet in melody.
Late Night at the Nick closes with “The Village With the Purple Cow”, a song that feels like a celebration. It’s lively, playful, and full of energy, with buoyant rhythms and melodies that practically dare you not to dance along. After everything that came before, it’s the perfect way to end the set.
What really stands out on Late Night at the Nick is the chemistry between the band members. You can tell they’ve been playing together for years—they’re so in sync, it’s almost scary. Brooks’ work is a perfect mix of melody and experimentation, Allen’s basslines are thick and driving, and Jaffe’s drums are just insane. They’re not just keeping time; they’re pushing the music forward, adding layers of texture and energy.
The production is also worth mentioning. For a live album, the sound is surprisingly clear and balanced. You can hear every detail, from the feedback screeching to the cymbals crashing, but it still feels raw and alive.
If you’re into bands like King Crimson, Swans, or Tool, you’ll probably love this. But even if you’re not, Late Night at the Nick is worth a listen just to see what Kirkos is all about. They’re not just making music; they’re creating something that feels alive. And honestly, that’s pretty rare these days.
Late Night at the Nick is available for streaming on Bandcamp. Follow Kirkos on Facebook and Instagram.
An immersive and utterly unique live album that captures Kirkos at their best. Highly recommended for anyone who loves music that defies expectations.
