My appreciation for the post-rock genre has evolved significantly over the years. Back in high school, I stumbled upon Mogwai’s Happy Songs for Happy People (2003). Despite the genre’s reputation and my peers’ enthusiasm for it, I was initially put off by the overly precious tone and childlike vibe that seemed prevalent. I barely managed to get through one listen before dismissing it entirely. Fast forward to 2007, and I listened to All of a Sudden I Miss Everyone, the album by Explosions in the Sky, with a more open mindset. While it still strikes me as somewhat cutesy, I now appreciate the album’s sweeping textures and inspired songwriting, which have earned it a cherished place among fans.
Now, turning to the Polish post-rock act Yenisei and their album Home, it resonates with the ambient qualities that have become a hallmark of bands like Explosions in the Sky. Many post-rock groups excel at creating soaring atmospheres, yet Home diverges from typical rock conventions, featuring minimal guitar riffs. Instead, the sound is driven by layers of texture created through heavily affected guitars and electronics. With this being their third album, Yenisei has effectively explored the potential of clean guitar tones, showcasing an innovative approach that sets them apart. The guitar work by Piotr Grobelny and Piotr Klaminski is grand and immersive, lacking the traditional grit but instead embodying a non-threatening quality that works in their favor.
The atmosphere of Home evokes uplifting and redemptive feelings, a departure from the often darker tones found in ambient music. This album achieves a rare warmth that is hard to find, with tracks that radiate positivity without coming across as shallow. In moments of clarity, Yenisei manages to convey an emotional depth that feels refreshing within the genre.
However, it’s essential to note that these uplifting sentiments arise from specific moments rather than the album as a whole. Tracks like “Crickets” are instantly captivating, adorned with vibrant guitar lines, while “This Place Was a Shelter” maintains a similarly light and inviting vibe. Although songs like “We Are Saved” and “Forgotten” share the album’s warmth, they introduce a more mysterious atmosphere compared to the earlier track “A Walk in the Sky.” Yenisei excel in their arrangement and textural nuances, proving they are also adept songwriters.
With Home, Yenisei establish themselves as the musical equivalent of filmmaker Terrence Malick. The album captures a sense of childlike innocence and wonder, evoking feelings most of us experience but often outgrow. While I have encountered similar atmospheres in other music, Yenisei find a unique slice of perfection in their approach. Although it lacks dramatic intensity, Home undeniably earns its place in the post-rock canon. It is, simply put, a beautiful work.
“When the world feels like a tempest, let the melody of home guide you back to tranquility.”
Home is out now; play/order it from Bandcamp. Follow Yenisei on Facebook, YouTube and Instagram.
With Home, Yenisei establish themselves as the musical equivalent of filmmaker Terrence Malick. The album captures a sense of childlike innocence and wonder, evoking feelings most of us experience but often outgrow.
