All posts by Raffaella Berry
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Moraine – Groundswell
Four years after their recording debut, Manifest Density – followed by a career-defining appearance at NEARfest 2010, captured on their second album, Metamorphic Rock – Seattle quintet Moraine are...
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MoeTar – Entropy of the Century
A couple of years ago, Bay Area quintet MoeTar first took the somewhat jaded progressive rock world by surprise with their debut album, From These Small...
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Accordo dei Contrari – AdC
For my first album review after over four months of silence, what better choice than the new album of one of the most interesting new...
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Live Review: Progday 2014 – Twenty Years After
In many ways, the present review is an unexpected little “miracle”, which only a week ago seemed highly unlikely to happen. Though it will be...
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Ut Gret – Ancestor’s Tale
In my years as a reviewer, it has rarely happened for an album to make such an impression that – barely halfway through my first...
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Matt Stevens – Lucid
In the past few years, London-based guitarist and composer Matt Stevens has become one of the most prolific and intriguing figures on the variegated progressive...
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The Twenty Committee – A Lifeblood Psalm
Founded in early 2012 by vocalist/keyboardist Geoffrey Langley, five-piece The Twenty Committee are the newest entry in the thriving progressive rock scene of the Philadelphia/New...
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Susan Clynes – Life Is…
Belgian singer/pianist/composer Susan Clynes first came to the attention of the progressive rock audience for her stunning vocal performance on the song “Glass Cubes” (written...
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Necromonkey – A Glimpse of Possible Endings
Just one year after the release of their debut Necroplex, the dynamic Swedish duo of Mattias Olsson and David Lundberg – aka Necromonkey – are...
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Il Rumore Bianco – Mediocrazia
Il Rumore Bianco (White Noise) are a six-piece hailing from the historic Italian city of Verona, where they were born from the ashes of another...
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